回复：Adham Shaikh 阿达姆·谢赫 - 《本质》(Essence) [FLAC BD]...
Fans of the Interchill, Instinct and Dakini labels will be familiar with West coast-based producer, musician and DJ Adham Shaikh. Though perhaps best known as part of four-member collective Ekko, Shaikh has been creating both solo and collaborative efforts for the past 15 years. He's a true producer, brilliant at pulling peoples' talents together and insightfully committed to his vision of electronics meeting organic (often ancient) instrumentation. Essence is gorgeous, daring and respectful, blending the globally renowned bansuri (North Indian flute) playing of Catherine Potter with the beats of Montreal producer Freeworm, dub-wise bass skills of Sean Hill, flute stylings of artist Jean-Marc Guillemette, percussion of Yasmine Amal, and much more. "Somptin Hapnin (water in me)" dubs, flows and shakes as vocalist Kinnie Starr pays tribute to water, trees and life. "Sabadhi" cements Shaikh's reputation for producing finely tuned, ambient loveliness while its sister masterpiece, "Sabadub," offers a more beat-heavy, dub-wise treatment of bansuri, berimbau, and viola. Adham also beautifully balances traditional and experimental, natural and organic during "Sufi Spin." Here, recordings of Balinese dancing, chanting and flute meet complex beats, the tabla playing of Ekko's E Shankar, and thick grooves, resulting in a deep, heartfelt, engaging whole. Essence also showcases Adham's remix skills, with solid treatments of both Ekko's "Shiraz" (the album's most up-tempo number) and Lisa Walker's humpback whale-inspired "Orcadrift." But it's with his dubbed-out reworking of Legion of Green Men's "Constellation" that Shaikh really cuts loose, adding tension, builds, and thick slabs of bass. It's a massive treatment that's as true to the original as it is fresh to the ear
Interchhill、Instinct和Dakini唱片公司的粉丝将熟悉西海岸的制片人、音乐家和DJ Adham Shaikh虽然谢赫最出名的可能是四人集体Ekko的一部分，但在过去15年里，他一直在创造独立自主和协作的努力他是一个真正的制作人，善于把人们的才能集中起来，并对他所设想的电子会议有机（通常是古老的）仪器仪表有深刻的见解精髓是华丽、大胆和恭敬的，融合了全球著名的凯瑟琳·波特（Catherine Potter）的bansuri（北印度长笛）演奏和蒙特利尔制作人弗里沃姆（Freeworm）的节奏、肖恩·希尔（Sean Hill）的配音低音技巧、艺术家让·马克·吉列米特（Jean-Marc Guillementte）的长笛风格、亚斯敏·阿马尔（Yasmine Amal）的打击乐器等。”Somptin Hapin（我的水）“配音，流动和震动作为歌手金妮斯塔尔致敬水，树木和生命。”沙巴迪“巩固了谢赫的声誉，生产微调，环境可爱，而其姊妹杰作，“沙巴杜”，提供了一个更沉重的，配音明智的处理班苏里，贝里姆巴和中提琴Adham也在“苏菲旋转”中完美地平衡了传统与实验、自然与有机的关系。在这里，巴厘舞蹈、吟诵和长笛的录音与复杂的节拍相遇，Ekko的E Shankar的tabla演奏，以及厚厚的凹槽，形成了一个深刻、真挚、引人入胜的整体《精髓》还展示了Adham的混音技巧，对Ekko的“设拉子”（专辑中最快的节奏数字）和Lisa Walker的驼背鲸灵感“逆戟鲸”都进行了扎实的处理，但正是由于他被称为是对绿人“星座”军团的重新设计，Shaikh才真正做到了放松，增加了张力，建立和厚实的低音板这是一个巨大的治疗，既符合原始的，又符合耳部的新鲜感
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