Mary Black’s first seven solo albums were all recorded in Ireland, with producer Declan Sinnott crafting a fine balance between Celtic folk music and international pop--and every one of them climbed to the top of the Irish charts. It was a successful formula but it was becoming a bit predictable, so Black decided to cut her eighth album, Shine, in Los Angeles with Joni Mitchell’s longtime collaborator Larry Klein as producer. As might be expected, there are fewer Irish folk flavors in the music and more L.A. singer-songwriter influences. The results, though, don’t resemble Mitchell’s cutting-edge folk-jazz so much as Linda Ronstadt’s adult-contemporary pop.