2006-05-09 01:44
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[2006-5-9][推荐][原創][Jazz]【Sarah Vaughan - A Portrait Of Sarah

[原創][Jazz]【Sarah Vaughan - A Portrait Of Sarah Vaughan(Disc 1)】(320K,MP3)





演唱歌手：Sarah Vaughan
專輯名稱：A Portrait Of Sarah Vaughan (Disc 1)
專輯語言：
發行日期：09/19/2000
音樂曲風：Jazz
位元傳輸率：320kbps
取樣頻率：48.000kHz
聲道：立體聲



 
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Sarah Vaughan的歌唱技藝雷同於任何一把樂器的聲音，亦因如此，只有她才可以將一些流行小品昇華為爵士Standard級的「演奏曲目」。"Scat"吟唱對於Sarah而言只不過是一個忘詞的障眼法，而是她與生俱來將歌曲情緒帶至高峰的技巧。Vaughan先後加入咆勃爵士前期的Earl Hines及Billy Eckstine大樂團，由於她對流行曲的出色演繹，次年即以個人身份出現在舞台上。1945年，Sarah與Charlie Parker及Dizzy Gillespie兩位咆勃爵士巨星合作的作品"Lover man"馬上成為咆勃爵士音樂的必聽曲目，就Parker而言，Sarah在演繹此曲的時候，管樂發展空間亦受到威脅，自此之後Sarah的星運一直平步青雲的發展，而其中最大的原因是她善於在爵士樂與流行樂中間捨輕就重，作平行發展。1971年，經過五年的休養，Sarah再次踏入錄音室，除了積極表演爵士Standard曲目之外（受到名製作人Norman Granz鼓勵的Songbooks系列），樂迷亦開始發覺Sarah的唱功已經到達另外一個成熟的階段。與巨星及人物Duke Ellington、Oscar Peterson、Count Basie的合作及後其作巴西樂曲的演繹，都進一步肯定了其歌唱的實力。1990年Sarah不幸逝世，爵士樂界從此失去了最光輝的All Time Favorite級唱將。

Jazz critic Leonard Feather called her "the most important singer to emerge from the bop era." Ella Fitzgerald called her the world’s "greatest singing talent." During the course of a career that spanned nearly fifty years, she was the singer’s singer, influencing everyone from Mel Torme to Anita Baker. She was among the musical elite identified by their first names. She was Sarah, Sassy -- the incomparable Sarah Vaughan.

Born in Newark, New Jersey, in 1924, Vaughan was immediately surrounded by music: her carpenter father was an amateur guitarist and her laundress mother was a church vocalist. Young Sarah studied piano from the age of seven, and before entering her teens had become an organist and choir soloist at the Mount Zion Baptist Church. When she was eighteen, friends dared her to enter the famed Wednesday Night Amateur Contest at Harlem’s Apollo Theater. She gave a sizzling rendition of "Body and Soul," and won first prize. In the audience that night was the singer Billy Eckstine. Six months later, she had joined Eckstine in Earl Hines’s big band along with jazz legends Dizzy Gillespie and Charlie Parker.

When Eckstine formed his own band soon after, Vaughan went with him. Others including Miles Davis and Art Blakey, were eventually to join the band as well. Within a year, however, Vaughan wanted to give a solo career a try. By late 1947, she had topped the charts with "Tenderly," and as the 1940s gave way to the 1950s, Vaughan expanded her jazz repertoire to include pop music. As a result, she enlarged her audience, gained increased attention for her formidable talent, and compiled additional hits, including the Broadway show tunes "Whatever Lola Wants" and "Mr. Wonderful." While jazz purists balked at these efforts, no one could deny that in any genre, Vaughan had one of the greatest voices in the business.

In the late 1960s, Vaughan returned to jazz music, performing and making regular recordings. Throughout the 1970s and ’80s she recorded with such jazz notables as Oscar Peterson, Louie Bellson, Zoot Sims, Herbie Hancock, Ron Carter, Don Cherry, and J.J. Johnson. Her recordings of the "Duke Ellington Song Book (1 and 2)" are considered some of the finest recordings of the time. While for many years her signature song had been "Misty," by the mid-70’s, she was closing every show with Sondheim’s "Bring In The Clowns." In 1982, while in her late fifties, Vaughan won the Grammy for Best Jazz Vocalist for her album, "Gershwin Live"!

While she continued to work without the massive commercial success enjoyed by colleagues such as Peggy Lee, Rosemary Clooney, and Ella Fitzgerald, Sarah Vaughan consistently retained a special place in the hearts of fellow musicians and audiences alike. She continually performed at top venues, playing to adoring sell-out crowds well into her sixties. Remarkably, unlike many singers, she lost none of her extraordinary talent as time went on. Her multi-octave range, with its swooping highs and sensual lows, and the youthful suppleness of her voice shaded by a luscious timbre and executed with fierce control, all remained intact. In 1990, at the age sixty-six, Sarah Vaughan passed away. Shortly after her death, Mel Torme summed up the feelings of all who had seen her, saying "She had the single best vocal instrument of any singer working in the popular field."



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01.Signing Off
02.Interlude (A Night In Tunisia)
03.No Smoke Blues
04.East Of The Sun (And West Of The Moon)
05.Lover Man (Oh, Where Can You Be?)
06.I’d Rather Have A Memory Than A Dream
07.Mean To Me
08.Time And Again
09.You Go To My Head
10.It Might As Well Be Spring
11.All Too Soon
12.Hundred Years From Today, A
13.If You Could See Me Now
14.I Can Make You Love Me
15.You’re Not The Kind
16.My Kinda Love (One Way To Paradise)
17.You’re Blase
18.Body And Soul
19.I’ve Got A Crush On You
20.I’m Through With Love
21.Everything I Have Is Yours
22.Penthouse Serenade
23.Don’t Worry About Me
24.Time After Time




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