泰勒曼：男低音清唱剧


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                  名      称：泰勒曼：男低音清唱剧  Telemann: Bass Cantatas
                  作      曲：泰勒曼 Georg Philipp Telemann (1681～1767)
                  演      唱：Klaus Mertens (男低音)
                  其他参演：
                              Ann Vanlancker (双簧管)
                              Mira Glodeanu (小提琴)
                              Francois Ryelandt (羽管键琴)
                              Jan De Winne (长笛)
                              Adel Shalev (管风琴)
                              Marcel Ponseele (双簧管)
                              Rene Schiffer (大提琴)
                              Frank Coppieters (低音提琴)
                              Alain Derijckere (巴松管)
                              Mika Akiha (小提琴)
                              Deirdre Dowling (中提琴)
                              Liesbeth Hermans (女高音)
                              Joao Sebastiao (男高音)
                              Marleen Hermans (女低音)
                  发行公司：ACCENT
                  发行年代：2006年
                  ＣＤ条码：4015023241671
                  ＣＤ编号：ACC 24167
                  发行年代：2006年

Accent's Telemann: Bass Cantatas is Klaus Mertens' 13th disc of Telemann -- he has recorded oratorios, odes, and numerous cantatas already. Telemann was a baritone, and the high number of works for low voice among his 1,400-plus surviving cantatas indicates that he was composing with his own voice in mind. These four cantatas are performed from new editions prepared by Habsburger Verlag in Frankfurt from a batch of 30 manuscript cantatas held in the library of Brussels Conservatory; they he certainly never been recorded before, and it is hard to imagine how one might record them better than they are here. Mertens' light and expressive, yet masculine, voice is ideally suited to project these texts, and he thoroughly understands how to make their meaning known while not hamming it up too much -- se that for the "Dead Canary" cantata. On this disc, Il Gardellino, a relaxed and very well-coordinated period instrument ensemble, backs up Mertens in addition to providing its own spin on two of the trio sonatas from Telemann's Essercizii Musici, a popular pedagogical publication issued from his own press in 1724. The brief chorale sections are sung one to a part by singers of excellent quality, including Mertens himself.

All of these cantatas are good ones, though the standout is clearly the first piece, "Es sind sch?n die lezten Zeiten" (The Last Days Are Already upon Us), a bracing and tempestuous cantata about the end of the world that affords Mertens a chance to show what he can do. He is dramatic and explosive in assertive passages, though he never shouts, whereas in sneakier, more mysterious moments he is restrained and fully in the character exemplified by the text, which may he been written by Telemann. This cantata was written for the 25th Sunday after Trinity -- hardly an important occasion in the Lutheran church calendar -- and its message of "sulphur, pitch and the torments of hell" must he been electrifying to the pious Hamburg congregation that first heard it. "Do you, in your arrogance, never think of eternity?" Indeed.

The middle two cantatas are pleasant and more gemütlich works dealing with the love of God and the virtues of hard work, whereas "Wo soll ich fliehen hin" is a cantata paraphrasing the parable of the Wicked Servant in Matthew Chapter 18 that a has more cautionary sound. That's one of the great things about Telemann's cantatas -- he had a way of making something very personal out of work that most composers of his time regarded as sheer drudgery. If you want to get through to Telemann as an individual, then Accent's Telemann: Bass Cantatas is an excellent vehicle for that, particularly owing to Klaus Mertens' superb performance, which tends to exemplify the man as well as it realizes the sound of his music. Full texts and translations are included in three languages. ~ Uncle De Lewis, All Music Guide

Klaus Mertens
1963出生于德国Kleve

Bass-baritone Klaus Mertens is a leading singer of Baroque concert repertory, especially the music of Johann Sebastian Bach. He has recorded nearly 100 of the cantatas and all the large choral works of the Leipzig master to high acclaim.

He was given singing lessons while in elementary school. His university studies were intended to prepare him for a career as a music teacher, and he did, in fact, work as a schoolteacher for a time. But his developing vocal skill and talents soon made it feasible to attempt a serious singing career. He embarked on additional voice training, teaching, and interpretation studies with Else Bischof-Bornes, Jakob St?mpfli, and Peter Massmann.

Mertens has established one of the major concert singing careers on the planet and has made over 100 recordings. He has worked with leading interpreters in the early music/authentic performance school -- for example, Ton Koopman, with whom he is participating in a complete set of the Bach cantatas, as well as Rene Jacobs, Philippe Herreweghe, Sigiswald Kuijken, Frans Brüggen, Gust Leonhardt, and Nikolaus Harnoncourt. With conductors such as Gerard Schwarz, Peter Schreier, Edo de Waart, Herbert Blomstedt, Ivan Fischer, and Hans Vonk he has appeared in major-orchestra concerts, including those with the Saint Louis, Chicago, and Jerusalem Symphony Orchestras, the Dresden Philharmonic, the Gewandhaus Orchestra of Leipzig, and the Royal Concertgebouw Orchestra of Amsterdam.

Since much of the activity in the early music field is associated with summer music festivals, he frequently appears at such venues as the Lucerne Festival, the BBC Proms, the Mostly Mozart festival of New York, the Salzburg Festival, the Prague Spring, Bach-Tage Berlin, the Flanders Festival, the Oxford Handel Festival, and many others.

In common with many other early music specialists, Mertens also has an interest in major repertory of the twentieth century, performing Hindemith's A Requiem for Those We Love and Strinsky's Oedipus Rex among other works. He has also received acclaim for his work in Mendelssohn's Elijah, the same composer's Paul, and other major Romantic concert works. He also is highly regarded as a Lieder singer. Mertens has frequently appeared on European television and radio broadcast concerts. ~ Joseph Stevenson, All Music Guide

Georg Philipp Telemann: Cantatas for Bass

                                          Es Sind Schon Die Letzten Zeiten Twv1:529
                                          Track 01      1. Choral - Es Sind Schon Die Letzten Zeiten
                                          Track 02      2. Aria - Ihr, Die Ihr In Den Sünden
                                          Track 03      3. Recitative - Die Bosheit Ist Zu Groß
                                          Track 04      4. Aria - Blitz Und Krachen
                                          Track 05      5. Recitative - Hingegen Werden Denn
                                          Track 06      6. Choral - Ei Nun, Herre Jesu
                           
                                          Die Liebe Gegen Meinen Gott Twv1:350
                                          Track 07      1. Chorale - Die Liebe Gegen Meinen Gott
                                          Track 08      2. Recitative - Das Grösseste Gebot
                                          Track 09      3. Aria - Wer Im Lieben Recht Verfährt
                                          Track 10      4. Recitative - Mein Gott! Ich Will Dich
                                          Track 11      5. Aria - Entreisse Dich, Mein Sinn
                                          Track 12      6. Chorale - Ich Begehre Nichts, O Herr
                           
                                          In Allen Meinen Taten Twv1:928
                                          Track 13      1. Chorale - In Allen Meinen Taten
                                          Track 14      2. Recitative - Soll Unsre Arbeit
                                          Track 15      3. Aria - Gottes Segen Macht Allein
                                          Track 16      4. Recitative - Befördre Auch Hinfort
                                          Track 17      5. Aria - Unsre Arbeit, Tun Und Dichten
                                          Track 18      6. Chorale - Sprich Ja Zu Meinen Taten
                           
                           
                                          Wo Soll Ich Fliehen Hin Twv1:1724
                                          Track 19      1. Chorale - Wo Soll Ich Fliehen Hin
                                          Track 20      2. Recitative - Mein Gott, Willst Du Mit
                                          Track 21      3. Klaus Mertens & Il Gardellino
                                          Track 22      4. Recitative - Doch Soll Der Glaube
                                          Track 23      5. Aria - Herr Jesu, Der Du Aus Erbarmen
                                          Track 24      6. Chorale - Ach! Zünde, O Jesu, Die Herzen
                           
                                          Trio For Flute & BC TWV42:d4
                                          Track 25      1. Largo
                                          Track 26      2. Allegro
                                          Track 27      3. Affetuoso
                                          Track 28      4. Presto
                           
                                          Trio For Flute & BC TWV42:g5
                                          Track 29      1. Mesto
                                          Track 30      2. Allegro
                                          Track 31      3. Andante
                                          Track 32      4. Vivace

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试听段：Es Sind Schon Die Letzten Zeiten Twv1:529 - 4. Aria - Blitz Und Krachen
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